LA CALLE DE CÓRDOBA
Guadalupe Carmona. Cordoba (Spain), 21st July 2007
"Un genio que Córdoba olvida y Jerez adopta. Primer bailaor en la gira de Paco Peña y director de una compañía. La historia de Ángel Muñoz es la de un artista no valorado en su tierra"
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THE NEW YORK TIMES
Claudia La Rocco. New York (United States), 2nd April 2007
“...smoldering dancing of Ángel Muñoz, one of the more magnificent performers I’ve seen in recent memory. The clarity and complexity of his rhythms dazzled, but what truly astounded were his sense of pacing, his presence, and his ability to communicate through the simplest gesture. With a raised, curving palm or a sharply angled lunge, Mr. Muñoz told the audience everything it needed to know”.
“...And then there was Mr. Muñoz, who should come back. Soon.”
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THE GLOBE AND MAIL
Kaija Pepper. Canada, 6th April 2007
“The dancing onstage was even more memorable, and Requiem Flamenco again features what Pena calls "a significant moment for the dance to speak." For this key solo role, Pena cast his company's star dancer, Angel Munoz, another impeccably credentialed Cordoba native. Munoz will doubtless devour his chance to burn the floor in the most prayerful way”.
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FLAMENCOBUZZ.NET
Damaris ‘La Gata’ Solís & Mari Katsigianis. New York (United States), 30th March 2007
“Now for my favorite part of the show – sorry but I am rather prejudiced when it comes to Ángel Muñoz & Charo Espino, who are husband and wife. They executed an achingly exquisite Flamenco “pas de deux”, to the point that I felt as if I was peeking into an intimate moment between lovers. You could tell this was much more than a working gig for this pair – it was an expression of their deep love and regard for one another as dancers and as life partners. Angel’s hands caressed the air around the curves of Charo’s body, an unseen string connected his hands to her hips (...). Separately, they are masterful performers. Together, they produce an intense, slow burn that FEW contemporary performers either seek to perform or if attempting to perform, can achieve...”
“(Angel was principal dancer for many years with Compañía María Pages, and while touring with her, he only got to dance a fraction of the kind of rare and traditonal flamenco seen this night. I was absolutely sucker-punched by his amazing grace, strength, and control!)”.
www.flamencobuzz.net

FLAMENCO-WORLD.COM
S.C. Valencia, March 24th, 2007
"The Córdoba-born bailaor has the evidence in his hands of the maestros of male flamenco dancing"
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DIARIO DE JEREZ
Carlos Sánchez. Jerez, February 27th 2006
“Ángel Muñoz sintetiza el baile de corte clásico con tintes contemporáneos propios del lenguaje flamenco más actual”
“En buena compañía, así se presentó en solitario el bailaor cordobés Ángel Muñoz. Y con un estreno, ‘Cinco sentidos’. Espectáculo sobrio, elegante y de gran riqueza. Sin concesiones a la galería ni adornos superfluos. Lejos del efectismo forzado. Con baile lleno de matices y toque con sonoridad propia, el del guitarrista Juan Manuel Cañizares”
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FLAMENCO-WORLD.COM
Silvia Calado. Jerez, February 25th 2006
“El bailaor dibujó una coreografía llena de matices y sutilezas, novedosa dentro de los cánones. La bailó con elegancia, potencia, hombría y exactitud”
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DIARIO DE JEREZ
Francisco Sánchez Múgica. Jerez, February 25th 2006
“Dos estrenos completan la segunda jornada del certamen: ‘Dibujos de Belén Maya y ‘Cinco sentidos’ del bailaor cordobés Ángel Muñoz”
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ABC
Córdoba, February 25th 2006
“El bailaor cordobés Ángel Muñoz presenta en Jerez su último espectáculo”
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DÍA DE CÓRDOBA
Córdoba, February 2006
“El bailaor cordobés Ángel Muñoz estrena en el Festival de Jerez Cinco Sentidos”
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FLAMENCO-WORLD.COM
Bucharest, December 2005
Without the need for a storyline, the bailaor from Córdoba had no trouble convincing the audience, whom he was able to whip up into a crescendo of sensations, leading to an ovation, as one, from three thousand people
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GARDIANUL
Bucharest (Romania), December 2005
“Angel Muñoz aduce pasiunea pentru Flamenco”
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ROMANIA LIBERA
Bucharest (Romania), December 2005
“Angel Muñoz aduce pasiunea pentru Flamenco in Romania”
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HOTNEWS.RO
Bucharest (Romania), December 2005
“Flamenco Pasion”
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LA TRIBUNA
Virgilio Liante. Albacete, España (27 de abril de 2005)
“Después del ecuador y cuando el público se sentó para seguir viendo el espectáculo, el bailaor Ángel Muñoz se destapó con un recital de puras esencias flamencas. Clavó el tacón con temple e hizo de su cuerpo auténtica poesía en movimiento. En algunos lances recordaba al gran Antonio Gades, con ese cabello negro suelto, de potencia hercúlea en sus piernas y el salero de unas manos bien movidas”
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THE NEW YORK TIMES
Jack Anderson. Nueva York, USA (February 27th, 2004)
“All the dancers are capable. But the only ones who dominate the action as individuals are Ms. Pagés herself and her partner, Angel Munoz, strong performers with compelling stage presences”
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FLAMENCO-WORLD.COM
Flamenco-world.com (diciembre, 2003)
“Ángel Muñoz estrena en Sudáfrica el espectáculo ‘Robándole al alma’”
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THE COURIER-JOURNAL
George R. Hubbard. Kentucky, USA (November 9th, 2003)
“Guest artist Angel Muñoz dazzled in his choreography and dancing of the Miller’s Dance from Manuel de Falla’s ‘El Amor brujo’ in his first appearance with the company, Muñoz drove up the temperatures of all in the house with his remarkably precise footwork, his tweaking humor and his ‘ownership’ of the stage”
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ABC
Julio Bravo. Madrid, España (27 de julio de 2003)
“... la gallarda estampa y calidad de Ángel Muñoz, una de las presencias masculinas más importantes de la danza española”

SÄCHSISCHE ZEITUNG
Dresden, Alemania (Mai, 1999)
“Mit einer Flamenco-Messe wurden am Freitag abend in der Dresdner Kreuzkirche die diesjähringen Musikfestspiele eröffnet. Gemeinsam mit dem Dresdner Kreuzchor traten die spanischen Stars Angel Muñoz (Tanz), Paco Peña (Guitarre) und Eva de Dios (Gesang) auf”
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THE DANCING TIMES
Marina Keet. London, UK (April, 1999)
“The consummate dancing of Muñoz was the highlight”

BALLET.MAGAZINE
Stuart Sweeney. London, UK (February, 1999)
“The star of the show -‘Musa gitana’ de Paco Peña- is Angel Muñoz. Quite simply, he is a fabulous dancer. He's blazingly fast, precise, expressive and his spins would put an ice-skater to shame. Best of all, despite his virtuosity and brilliance, his ego does not over-balance the production”

LA REPUBBLICA
Antonella Piperino. Roma, Italia (27 de diciembre de 1998)
“Applausi a scena aperta per Muñoz che nel granfinale, proprio sotto l’altare, si è esibito in uno strenatissimo flamenco”

THE GUARDIAN
“Angel Muñoz has everything it takes to be flamenco’s next king –dark, treacley locks, surly Spanish features, great niftiness in the footwork department and an ability to pelvic-thrust without looking silly”
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THE SUNDAY TIMES
David Dougill. London, UK (February 16th, 1997)
“Arte y pasión introduce to us a new young star, the 22-year-old Ángel Muñoz, who has tremendous talent. In his dancing he is crearly the equal of Cortés, without recourse (so far) to the latter’s extravagant psudomessianic trappings. He is tall, slim, black-maned; striking of face, dramatic of gesture. He knows his worth, and he has a pride of manner to match it, But it is established in his performance rather than announced, and then he acknowledges applause in the most self-effacing way possible”
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THE INDEPENDENT ON SUNDAY
Jenny Gilbert. London, UK (February 9th, 1997)
“Stamp of authenticity: Ángel Muñoz performs a pared-Down, genuine flamenco for the Paco Peña company”
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THE EXPRESS
Jeffery Taylor. London, UK (November 14th, 1997)
“Flamenco dancer Ángel Muñoz has been hailed as the best thing out of Spain since oranges- his dancing described as dazzling and sensual”

INDEPENDENT SATURDAY MAGAZINE
Louise Levene. London, UK
“Angel Muñoz is 23, he’s as lean as a whip, puckishly handsome and he performs in jeans. Do I sound keen? I’m keen”
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THE GLASGOW HERALD
Mary Brennan. Glasgow, UK (1997)
“It is impossible to ignore the exquisite, exceptional talent that is Angel Muñoz. Muñoz is totally possessed by flamenco, he inhabits it like a second skin, so that even his most casual gesture, his slightest step is fluid with its spirit”

DANCE EUROPE
Emma Manning. London, UK (February/March 1997)
“Ángel Muñoz has all the right qualities to be a top dancer. Muñoz has the right figure, the right technique but also the right movements to express serious emotion”